The first location taken on by Mathew Jonson and Giorgio Maulini is The Panoramique - an old famous restaurant located at 1,700m up the Alps in Arnouva forest. The venue was famous for it’s views, but now has been abandoned for almost 20 years. Swiss legend Luciano is taking on the beautiful glacier of Plaine Morte, located at staggering 3000m up the Swiss Alps and which serves as a home to a meteor station.
Line-Up:
Luciano
Mathew Jonson (live)
Giorgio Maulini

Rein Sepa tõlkeid ja kirju loevad Indrek Sammul, Tiit Aleksejev ja Jaanus Vaiksoo.
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Video ja montaaž: Kris Moor
Helitöötlus: Jürgen Reismaa
Salvestatud Tallinna Kirjanike Maja musta laega saalis 14. aprillil 2021

Engelbert Humperdinck’s «Königskinder» has always been in the shadows next to his incomparably more famous fairytale opera «Hänsel und Gretel» – unjustly so, as the former is a subtle, multi-layered masterpiece. Premiered in 1910, the opera tells the tale of the fate of two uprooted royal children, whose love fails in the face of a harsh social reality. Here, our two protagonists don’t live happily ever after. Despite the influence of his idol Richard Wagner, Humperdinck was able to create his own musical language: a mixture of folksong-like sounds, sweeping melodies, and dramatic force. Conductor Ingo Metzmacher made his successful debut at the Opernhaus in 2007 with «Königskinder». The production’s revival three years later – which was recorded and released as a DVD – prompted the Neue Zürcher Zeitung to write, «Metzmacher lovingly glories in each of the score’s many colors. He keeps the sound light and streamlined, so that its very core is revealed. What intimacy lies there within.» And the performance was all the more superb for its vocal cast. Jonas Kaufmann, then just on the verge of making the switch to the Heldentenor fach, supremely inhabited the role of the king’s son. Soprano Isabel Rey, a longtime member of the Opernhaus Zürich ensemble, crafts a touching goose-girl. With its fresh approach and clever intertwining of socially critical and magical elements, Jens-Daniel Herzog’s production convinced, without becoming kitsch – and was assisted in doing so by Mathis Neidhart’s uniform set, which largely dispensed with any notion of an idyllic natural setting.

Фраза «семь смертных грехов» прочно закрепилась в нашем мире. Она часто встречается в заголовках журналов и газет, фигурирует в фильмах и книгах. Даже Данте в своей «Божественной комедии» вспоминает о семи смертных грехах, когда повествует о чистилище.
Вопреки всеобщему заблуждению, смертные грехи никогда не упоминались в Библии. Но как тогда появился этот список?
На лекции мы поговорим о происхождении семи смертных грехов и разберём каждый из них на примере работ художников различных эпох. Найдём параллели, общие черты и научимся их различать. Кроме того, рассмотрим противопоставленные им семь добродетелей.